One of the Bobs first gigs was for the Palo Alto Sanitation Company (PASCO). We wrote "Trash" for this gig!

The Cover Art for the Bobs first EP release - 1983

Five Bobs! - 1989 - 90.

Joe, Richard, Matthew, Janie - photo: Lois Greenfield

Joe, Janie, Matthew, Richard - 1991 - 96. photo: Lois Greenfield

Matthew, Joe, Richard, Lori - 1997-98, Photo: Kate Kline May

Amy, Matthew, Richard, Joe - 1998 - 2003.Photo: Dana Neely

Matthew, Dan, Richard, Angie - 2011 - present, Photo: John Cornicello

It all started when Western Onion went bust, leaving all singing telegram deliverers broke and unemployed. Thus began the Great San Francisco Singing Telegram Depression of 1981Gunnar Madsen and Matthew Stull, two of the newly unemployed, placed a free 25-words-or-less ad in the classifieds for a bass singer. They got one call--from bass singer, songwriter and recording engineer Richard Greene. After six months of rehearsal, the trio debuted at an open mike in a Cuban restaurant. They sang "Psycho Killer,” "A White Sport Coat" and a few others. The audience loved them. The Bobs were born.

At first, The Bobs’ material consisted of uniquely arranged cover tunes. As they began writing their own songs, the need for another voice became apparent. Auditions found Janie 'Bob' Scott. A contract with local record company Kaleidoscope Records produced an EP OUT OF THE MOUTHS OF BOBS  and then a first album, THE BOBS.  A Grammy® nomination for their arrangement of The Beatles’ "Helter Skelter" and a national concert tour resulted in radio airplay, television appearances, and concerts and festivals in Europe. The Los Angeles Daily News was moved to comment, “The Bobs prove that the best instrument in creating music is the human brain. They are nothing less than sensational.”

Matthew, Janie, Richard, Gunnar - 1982 - 89.

In 1986 The Bobs signed with Great American Music Hall Records and put out two albums, My I'm Large (1987) and Songs for Tomorrow Morning (1988).  In 1990, Gunnar retired, replaced by Joe Bob Finetti, whose vocal percussion added a new layer to the sound.  Throughout the 1990's the Bobs were signed to Rounder Records and put out five albums: Shut up and Sing, Cover the Songs of....., Plugged, Too Many Santas, and i brow club.

In 1995, The Bobs collaborated with German jazz composer Klaus Koenig on his large jazz orchestra plus vocal quartet and narrator project - "Reviews."

In 2004, Dan Bob Schumacher took over the role of resident groove-master and oral instrumentalist.  In 1998, Amy Bob Engelhardt replaced Lori Rivera, who had replaced Janie Scott in 1997. In 2012 Angie Bob Doctor replaced Amy Engelhardt, bringing yet another dimension to the Bobs sound. Witnessing these ever changing yet always amazing four personalities and their combined musical wizardry, audiences tend to “spontaneously combust” (to quote a Bobs song) with alarming regularity.


Highlights of the group’s career include performing with Jason Alexander on the Emmy® Awards telecast, and providing musical commentary for National Public Radio’s Morning Edition.  Citations have included Contemporary A cappella Recording Awards (CARA) too numerous to mention since the Awards were established in 1992.  Composer/lyricists Richard Bob Greene, Gunnar Madsen, and Amy Bob Engelhardt have repeatedly garnered ASCAP Songwriting Awards for their Bobs compositions.


"My Shoes" - ISO and the Bobs from The Lonesome Pine Specials (PBS)

The Bobs have collaborated extensively with artists in other disciplines. Their first commission was a series of songs, "The Laundry Cycle," for the Oberlin Dance Collective in 1987.  Later that year, they improvised with the dance troupe Momix, (later known as ISO), yielding a show that toured fine arts venues worldwide for a period of years, resulting in a commission from Lincoln Center and a one-hour “Lonesome Pine Special” for PBS.  The program is now part of the media archives at the Smithsonian Institute's Museum of American History.  The Bobs were also featured in a tribute special on comedian Andy Kaufman for NBC, on PBS’ Great Performances in “The Beatles Songbook” and in a special with Harry Shearer for HBO. The group returned to Lincoln Center in 2001 to headline the prestigious American Songbook Series and in 2003 collaborated with The Flying Karamazov Brothers in “A Comedy of Eras” at Seattle’s A Contemporary Theater. 

Next came “RHAPSODY IN BOB,” their breathtaking arrangement of Gershwin’s “Rhapsody in Blue” for piano (guest artist Bob Malone) and The Bobs (as The Vocal Orchestra).   A show built around this piece toured fine arts venues in the United States, and it was recorded shortly afterwards.


Richard, Matthew, Amy, Dan - 2003 - 11. Photo: Dana Neely


In 2007, Coldfoot Films released SIGN MY SNARLING MOVIE: 25 YEARS OF THE BOBS, a documentary about the group’s history and evolution.  In 2008, The Bobs released their 14th album, GET YOUR MONKEY OFF MY DOG.


In 2011, Dan Bob and Angie Doctor released an album of vocal duets He Said, She SaidAngie Doctor would join the Bobs in 2011, replacing Amy Bob and thus becoming "Angie Bob."


In 2013, The Bobs released an album of biographies of famous and not-so-famous people throughout history, BIOGRAPHIES.

The Bobs, described by the Seattle Times as “a musical equivalent of a Gary Larson drawing,” use just their voices and body percussion to fill a room with an orchestra of harmonious sound.  They have left an indelible mark on vocal music, expertly skewering standards and establishing their own hilarious norms.  Once dubbed the only New Wave a cappella group in history, “The Bobs,” commented The Washington Post, “prove that the human voice remains the most powerful instrument of all.” 

October 21st, 2017 after 36 years of gigging and several thousand live shows, the Bobs gave their last group performance at the Barns at Wolf Trap.